Author Archives: sam
For me, the work of writing has always, in some way, been a fight against oblivion. It’s my way of resisting death and (however delusional) of trying to ensure that a trace of me remains after I’m gone.
– William Bradley
It’s inevitable. At some point after arriving safely home on my annual pilgrimage, I’ll take the short walk to the cemetery lying at the foot of the appropriately dead end street (a good place to run infinite loops as a child, but powerful incentive to go out into the world) and pay a visit to Leslie.
My earliest memory of her was when we were in a play together at school. Actually it was a short dramatization of a poem a small working group of us seventh graders were asked to compose. Impatient with poetry-by-committee, I’d made it my homework to just write the damn thing myself, presenting it as a fait accompli the next day in English class.
I don’t recall exactly what it was about, but it involved a murder and I was cast as the guy packing heat. There’s a dramatically off-kilter snapshot of me holding the gun (perversely innocent now we’re in the age of metal detectors beeping at real ones) in the depths of the family archives.
Looking delicate and lovely in her yearbook picture, I’m amazed I didn’t fall for my classmate, but we were just friends, till even friendship passed away for some obscure reason.
She died around the time I was getting married. We’d last run into each other on a chilly afternoon on the quad at the nearest large way station to credentialed adulthood. I remember her telling me about a trip to England, where I’d eventually land.
Leslie has since become my guide to the underworld, as it were: those dark mental caverns where I sit in full Rodin’s Thinker mode contemplating my own time on earth. Her long afterlife haunts me and reminds me not to take breathing for granted. The school where we first met has since vanished, leaving a smooth green sward for drive by memories.
I don’t know if we’ve all got a book in us, but surely we’ve all got an obit. During the last couple of years I’ve taken to reading these short stories, a habit you’re not supposed to acquire until closer to your three score and ten. One day I was surprised to see William Bradley, face framed by copies of The Best American Essays on the bookshelf behind him.
Bradley had come to my attention around the time I started exploring Facebook, incidentally a medium I’d love to hate were I more invested.*
Hey, a writer in Tiffin! had probably been my first thought. Someone I’d like to get to know.
I was impressed that he made it through so much oncological horror without falling into the bottomless pit of self pity I’m pretty sure would be my final destination. We’d both ruminated over Warren Zevon’s last album, but for him it was a soundtrack to nearly unbearable experiences.
I admired his passion for the essay. He really got meta on its ass.
Alas I was never able to eek more than a polite like out of him when replying to his posts on FB, which nipped any possible RL friendship in the bud. Then again, as I later learned, he was going through rather a lot at the time; there was no opportunity for a concerted charm offensive.
I’ve been lucky in life. The Grim Reaper hasn’t collected anybody close to me. Loved ones are all still present and accounted for. I don’t know many people who’ve made it to their middle ages so unscathed.
Were I superstitious, this would be a good time to find a large piece of wood to knock on. The 300-year-old oak that held court in front of our house would be a suitable candidate if an almighty wind hadn’t brought it down. I’m left pondering its ancient corpse, already sectioned by a tree surgeon but left to bleach in the sun.
It’s bad enough losing yourself. The thought of losing others is more painful still.
Fortunately (or not, from my DNA’s point of view), I don’t have children, so never faced the possible horror of that loss.
There is a little heart I fear stops beating, that of the impossibly dear rabbit who shares the house with us. It’s only a slight exaggeration to say I’d rather go before him, which hopefully would make him a very long-lived long ears indeed. It’s amazing what pets can do to you.
Childhood dogs and cats and such are typically said to be the unwitting instructors on how to process grief before you’re old enough to read Elisabeth Kübler-Ross. It’s a lesson I haven’t learned.
Recently I went looking for Bradley’s website and was unsettled it was gone. I don’t know that he would’ve cared, but oddly I did, perhaps highlighting my own thanatophobia by putting myself in the shoes of a dead man slowly being erased.
Thus did I recruit myself as curator, reconstituting and expanding the collection of links that had been in his library. Although this will allow anyone who happens upon the page a chance to help him continue to cheat death, it was in fact a selfish act.
He’s both alive and not, like Schrödinger’s cat, but of course, mostly not.
Or that the label “creative nonfiction” makes my eyes roll (more vino please. Tl;dr version, speaking as a creative writing major: let the reader decide.) He’d probably then roll his eyes at me for further and quite seriously informing him that bunnies are so much better than cats it isn’t funny…
Or collaborate in crowdfunding a mercenary to put a very liberal whupping on Aaron Sorkin.
Or bump into him at Kroger the next time I’m in town and ask if he remembered to put the eggs on top.
Or thank him for making me consider how essay means to try.
Death be not proud, wrote Johnny Gunther’s father to generations of school kids and John Donne to eternity. Appetizer for last supper conversation though that may be, I’ll leave the final words to someone who knew how to wrap things up:
*I’m not even invested enough to use my real name. Well, my current one.
Sources say he has an eye on our balloons.
Release the ravens.
The ghost of election past.
Parliament Square? In these shoes?
I was discussing my mouth organ with Elton John the other day and he said sing us a song, you’re the piano brain. It was sad and sweet and I knew it complete… but you know, I miss the earth, rocket man. All this science I don’t understand.
Stills from the BBC documentary Queen: One’s Long Strange Trip
Tower of babble
Tl;dr: Nixon was warped, and you can yell at the screen if you want to
Whoa there, can’t you read, buddy?
In the interests of maintaining interfaith harmony, let me state for the record that I did not walk into the room with my shoes on. In fact I did not go in at all. Nor did I have crisps, a device used for illustrative purposes only.
This piece by Susan Rothenberg is called ‘United States’. “The evocative title may refer to the two sides of the composition. The way in which the canvas – and the horse itself – are divided is reminiscent of abstract painting, and emphasises the interrelationship of representation and abstraction in Rothenberg’s work.” I would’ve just called it Horsey #1, assuming it was my first go at the thing. That’s why I’m not hung in the Tate.
I don’t even have to read the
placard label. This is the cross section of a very big safe, probably holding gold