Please stay

For me, the work of writing has always, in some way, been a fight against oblivion. It’s my way of resisting death and (however delusional) of trying to ensure that a trace of me remains after I’m gone.
Julija Šukys

It’s inevitable. At some point after arriving safely home on my annual pilgrimage, I’ll take the short walk to the cemetery lying at the foot of the appropriately dead end street (a good place to run infinite loops as a child, but powerful incentive to go out into the world) and pay a visit to Leslie.

My earliest memory of her was when we were in a play together at school. Actually it was a dramatization of a poem a small working group of us seventh graders were asked to compose. Impatient with poetry-by-committee, I’d made it my homework to just write the damn thing myself, presenting it as a fait accompli the next day in English class.

I don’t recall exactly what it was about, but it involved a murder and I was cast as the guy packing heat. There’s a dramatically off-kilter snapshot of me holding the gun (perversely innocent now we’re in the age of metal detectors beeping at real ones) in the depths of the family archives.

Looking delicate and lovely in her yearbook picture, I’m amazed I didn’t fall for my classmate, but we were just friends, till even friendship passed away for some obscure reason.

Leslie died around the time I was getting married. We’d last run into each other on a chilly afternoon on the quad at the nearest large way station to credentialed adulthood. I remember her telling me about a trip to England, where I’d eventually land.

She has since become my guide to the underworld, as it were: those dark mental caverns where I sit in full Rodin’s Thinker mode contemplating my own time on earth. Her long afterlife haunts me and reminds me not to take breathing for granted. The school where we first met has since vanished, leaving a smooth green sward for drive by memories.

Leslie Faye Hoyda

I don’t know if we’ve all got a book in us, but surely we’ve all got an obit. During the last couple of years I’ve taken to reading these short stories, a habit you’re not supposed to acquire until closer to your three score and ten. One day I was surprised to see William Bradley, face framed by copies of The Best American Essays on the bookshelf behind him.

Bradley had come to my attention around the time I started exploring Facebook, incidentally a medium I’d love to hate were I more invested.

Hey, a writer in Tiffin! had probably been my first thought. Someone I’d like to get to know.

I was impressed that he made it through so much oncological horror without falling into the bottomless pit of self pity I’m pretty sure would be my final destination. We’d both ruminated over Warren Zevon’s last album, but for him it was a soundtrack to nearly unbearable experiences.

I admired his passion for the essay. He really got meta on its ass.

Alas I was never able to eek more than a polite like out of him when replying to his posts on FB, which nipped any possible RL friendship in the bud. Then again, as I later learned, he was going through rather a lot at the time; there was no opportunity for a concerted charm offensive.

I’ve been lucky in life. The Grim Reaper hasn’t collected anybody close to me. Loved ones are all still present and accounted for. (My grandparents, three of whom died before I got to know them, aren’t included in this calculus, and the survivor was a very cold fish indeed.) I don’t know many people who’ve made it to their middle ages so unscathed.

Were I superstitious, this would be a good time to find a large piece of wood to knock on. The centenarian that held court in front of our house would be a suitable candidate if an almighty wind hadn’t brought it down, making me question its prophylactic qualities against reversals of fortune. I’m left pondering its ancient corpse, already sectioned by a tree surgeon but left to bleach in the sun.

happier times

Frankly I’m in wonderment at having made it this far myself. On a few occasions I’ve taken Jack Kerouac too literally and found myself laid out on the road, emerging from limbo.

It’s bad enough losing yourself. The thought of losing others is more painful still.

Fortunately (or not, from my DNA’s point of view), I don’t have children, so never faced the possible horror of that loss.

There is a little heart I fear stops beating, that of the impossibly dear rabbit who shares the house with us. It’s only a slight exaggeration to say I’d rather go before him, which hopefully would make him a very long-lived long ears indeed. It’s amazing what pets can do to you.

Childhood dogs and cats and such are typically said to be the unwitting instructors on how to process grief before you’re old enough to read Elisabeth Kübler-Ross. It’s a lesson I haven’t learned.

Recently I went looking for Bradley’s website and was unsettled it was gone. I don’t know that he would’ve cared, but oddly I did, perhaps highlighting my own thanatophobia [bloody hell, entire domain gone] by putting myself in the shoes of a dead man slowly being erased.

Thus did I recruit myself as curator, reconstituting and expanding the collection of links that had been in his library. Although this will allow anyone who happens upon the page a chance to help him continue to cheat death, it was in fact a selfish act.

He’s both alive and not, like Schrödinger’s cat, but of course, mostly not.

Now I won’t ever get to chat with him about newspapers, one of my favourite topics. Or horror movies, one of his.

Or bone up on puns

Or tell him You’re a Wonder was wonderful, joy rides in second person, less so. (Maybe not right away, but down the line, after a few glasses of wine, though I don’t drink, it’s just a prop.)

Or that I also fear inadvertently revealing my internal monologue underneath my polite, bland, midwestern facade, which would likely see me punctured with pitchfork holes.

Or that the label “creative nonfiction” makes my eyes roll (more vino please. My first impulse is to say let the reader decide – possibly on both counts – but I know it’s the taxonomy, stupid.) He’d probably then roll his eyes at me for further and quite seriously informing him that bunnies are so much better than cats it isn’t funny.

Or collaborate in crowdfunding a mercenary to put a very liberal whupping on Aaron Sorkin.

Or bump into him at Kroger the next time I’m in town and ask if he remembered to put the eggs on top.

Or thank him for making me consider how essay means to try.

Death be not proud, wrote Johnny Gunther’s father to generations of school kids and John Donne to eternity. Appetizer for last supper conversation though that may be, here’s someone who really knew how to wrap things up:

This entry was posted in Uncategorized. Bookmark the permalink.

3 Responses to Please stay

  1. sam says:

    Speaking of obituaries and short stories, this exceptional piece slipped into my hometown paper (whose links may be unavailable outside the US “due to legal reasons”, in which case Opera to the rescue).

    That’s the same paper that employed Bradley as political reporter, and me as paperboy. I usually turn to it for updates on Mr Wind, the latest moving violations (being a homeowner is dangerous), and Satan. No to Opera? Here’s a montage.

    As Lost In Translation is an outpost of The Zero Club, I’m not expecting anybody to read this, but I had no choice in the writing of it. So. (As Bradley would say.) The Club might bemuse him, given that he once wrote “I’m not sure writing without any expectation of having an audience is really, well, writing – much like masturbating isn’t the same as having sex…” The onanism isn’t entirely intentional.

    I missed my only opportunity to meet him, at a reading in the university library about 4 months before he died. I’m not entirely confident we would have hit it off – my relaxed attitude about the Trump presidency likely would’ve irked him, with my antipathy to cats a dealbreaker – but it would’ve been nice to put a voice to the words.


    . . .

    I’ll admit to feeling a bit silly about the rabbit, aka Chompsky. I’m just trying to be honest about my emotions. The little guy really gets to me.

    little guy

    Btw, I’d never make a newspaperman. Too fond of burying the lede.

  2. sam says:

    I’ve been rewatching Mad Men (happy birthday Jon Hamm), and caught the scene where Peggy is being ribbed for our pleasure:

    master of her domain
    Ace copywriter and future uninippled cyberphobe Michael Ginsberg in a Hallmark moment. Peggy ponders another date with the Relax-a-Cizor.

    When it comes to the love that dare not speak its name in polite company, referenced up yonder, I think Bradley was on slightly surer ground in We Try:

    “An essay written but never shown to anyone can’t really be said to exist. Without the reader’s consciousness to consider the essayist’s prose, it remains static, ineffective, unconsidered—not an essay at all, really. Writers need readers… the writer who never shares his work is no more an essayist than the virgin who masturbates a lot is a player.”

    For writing, your hand is

    At the risk of arguing with the departed – and apparently I’ve got a bug about this, as did he, having felt strongly enough to bring it up more than once – I can’t see how the act of writing, even an essay, even privately, is somehow negated (masturbation is usually viewed negatively) by the lack of a reader.

    Bradley clearly loved to talk about writing. Though I may emit an audible moan from time to time, I honestly don’t, at least with other people. Which is why I’m using a man who has joined the great silent majority as a foil for my thoughts. Good grief, I even continue to post on a forum which is anything but, because while interactions can be a great spur to creativity, they have also been known to get in the way of my avid pursuit of the quiet life.

    In an interview, Bradley was asked the following: “Are you also writing against death in some sense? Against cancer? As a way of cementing or preserving the past (here I think of that 2-year-old girl getting chemo – she “lives” in your essay, or is that too facile?) or as a pathway to the future?”

    He answered in the affirmative, adding: “I love the idea that the little girl ‘lives’ in my essay. I’d never thought of it that way before.”

    Insofar as cogito ergo sum (in this case scribam igitur, et esse pergit – google’s translation of “I write and therefore she continues to be”), and supposing that you the unlikely reader have tumbled into one link after another and passed through here, prompting thoughts shared or unshared and therefore benefitting your own existence, it remains for me to thank Bradley,

    Add new post

  3. sam says:

    sin cycle
    Sometimes a washing machine isn’t just a washing machine, particularly when it’s on the sin cycle

Leave a Reply

Your email address will not be published. Required fields are marked *